Amd redwood: AMD Redwood GPU Specs | TechPowerUp GPU Database

AMD Redwood: specs and benchmarks



Redwood

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Summary

This is a desktop graphics card based on a TeraScale 2 architecture and made with 40 nm manufacturing process. It is primarily aimed at gamer market.

We have no data on Redwood benchmark results.

General info


Some basic facts about Redwood: architecture, market segment, release date etc.

Place in performance ranking not rated
Architecture TeraScale 2 (2009−2015)
GPU code name Redwood
Market segment Desktop
Release date no data
Current price $53 of 158889 (A100 PCIe)

Technical specs


Redwood’s specs such as number of shaders, GPU base clock, manufacturing process, texturing and calculation speed. These parameters indirectly speak of Redwood’s performance, but for precise assessment you have to consider its benchmark and gaming test results.

Pipelines / CUDA cores 400 of 20480 (Data Center GPU Max NEXT)
Number of transistors 627 million of 14400 (GeForce GTX 1080 SLI Mobile)
Manufacturing process technology 40 nm of 4 (GeForce RTX 4080)

API support


APIs supported by Redwood, sometimes including their particular versions.

DirectX 11.2 (11_0)
Shader Model 5.0
OpenGL 4.4 of 4.6 (GeForce GTX 1080 Mobile)
OpenCL 1.2
Vulkan N/A

Benchmark performance


Synthetic benchmark performance of Redwood. The combined score is measured on a 0-100 point scale.


We have no data on Redwood benchmark results.


Recommended processors

These processors are most commonly used with Redwood according to our statistics.



Ryzen 5
5500U

12.1%



Ryzen 5
3500U

6.1%



E
450

3%



Core i3
1115G4

3%



Ryzen 7
5700U

3%



Ryzen 3
3250U

3%



EPYC
9654

3%



A8
9600

1. 5%



Xeon Platinum
9282

1.5%



Core i7
6500U

1.5%

User ratings: view and submit


Here you can see the user rating of the graphics card, as well as rate it yourself.


Questions and comments


Here you can ask a question about Redwood, agree or disagree with our judgements, or report an error or mismatch.


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Performance Mahogany

The house is alive, he remembers how small legs ran on his floor, how drawings were drawn on its walls, what interesting and frightening shadows arose from the moonlight outside the window.

«Mahogany» is a journey through the memories of my House, a journey through your imagination.

The performance, created specifically for the space of the Boyar Chambers, is built as a journey through the fragments of memories. The images created by the artists are like ghosts, the wreckage of a burned-out house, still «remembering» the events of a former life.
Moving in space, following the signs drawn in chalk, the audience will go through the chain of these events and memories…

The performance is presented in the genre of physical theatre.

Idea and production — Lidia Kopina

On stage — Tatyana Zhukas, Lidia Kopina, Maria Davydova, Ekaterina Bessmertnaya, Maria Ponomareva / Olga Sbarovska

Composer — Alexei Nadzharov

Lighting designer — O lay down Strashkin

Video– Anton Hamchishkin

“Such a theater captivates with its atmosphere, since it acts on several levels at once — the setting, consecration, music, various attributes (clothing, masks . ..) — thanks to this, as well as thanks to the excellent choreography of the actors, each scene evokes a lot of emotions. The refined and clear movements of the actresses are really mesmerizing! During the performance, I managed to experience such feelings as fear, compassion, loneliness … «

Alexandra Ruchkina

“We really liked the production. At first, you don’t quite understand what is happening, and then you are drawn in and you want the dances to last forever. Indeed, you immerse yourself in the production entirely and worry about what is happening. Amazingly beautiful and unusual. I advise all those who are bored with everyday life and want something «spicy»»

Daria Bolkonskaya

«The space of the Boyar Chambers deprives us of a seat, and we go from room to room for strange characters, a little infernal, and as if inspired by Alvin Nicholas. The theme of childhood and distorted memories of it is read in every scene, but it is no less interesting to observe the interaction of the viewer and space with the action. Does he trust his feeling to follow the performers further, or, looking around, will wait for more determined neighbors.
Deep, beautiful, sometimes scary and uncomfortable performance-travel «Mahogany». NFP recommends it for viewing.»

Vita Khlopova, No fixed points

“As Exupery said: “Only the heart is vigilant — you can’t see the most important thing with your eyes”, and children look in their hearts, if I can put it this way: in their own way, naive, trusting — and therefore it’s scary to see precisely the childish truth about the difficult trials that they had to endure, because this truth hurts the heart even of callous adults.
Plunging deeper into memories, past events unfolded before my eyes. The desire for intimacy, warmth, a feeling of loneliness — all this evokes a journey through «broken glass», through the «fragments» of the departed. «Mahogany» is the beauty of the dance of the frozen forms of the past, these are bizarre shadows drawn by the light of the moon and the imagination of a child.

Anna Turbaba

“The performance «Mahogany» played on the strings of my soul, adjusted and gave me the opportunity to experience a kind of trance. He pulled it out, shook it and plunged it into a pleasant bliss, laid my soul on a soft feather bed or a water mattress.
It has become necessary to radiate goodness and become a friend to every creature on the planet, to transmit these vibrations…»

Nadezhda Grinishkina

what is all up to. The viewer is not forced to think what to think about, but is allowed to «travel» through some of his associations.

In complete silence, the conductor translates «peeping» — this word will be more accurate than the spectator! from one room to another. Apples hang from the ceiling on harsh ropes, the cries of seagulls are heard, girls with witch’s sticks lead ritual round dances, shadows rush along the walls. Black paper, strokes of paint, mirror fragments, waved hands, a lone flashlight — I am impressed by high-tech performances, but when strong emotions are born literally from shreds and twigs, it absolutely shocks me. After such stories, very tasty dreams rich in metaphors are dreamed)

I can’t say what others saw, I’m very interested in it myself, but I’m not a telepath. To me, «Mahogany» seemed to be a very feminine performance. Because these are female bodies intertwined into intricate figures — the legs can suddenly become the wings of an outlandish beast with two girlish heads. Because in almost complete darkness you begin to greatly appreciate the light, and when fingers, neck, heel, shoulder appear out of the darkness, and they are female, you breathe a sigh of relief.

Lyudmila Gavrilova, MosKultura

Red Tree on Apple Music

Red Tree on Apple Music

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