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dick — Translation into Japanese — examples English

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These examples may contain rude words based on your search.



These examples may contain colloquial words based on your search.



Beata gets her mouth and ass filled with dick




Beata 取得 彼女の 口 と 尻 満杯の とともに ディック



He said you were sucking his dick.




彼はあなたが彼のディックを吸って_と言いました。



Rap sheet as long as my dick.




私のペニスと同じくらい長いラップシート。




You shot me in the dick!




あなたはペニスに_私を撃った!



Nobody wants to see your dick, dude.




誰もお前のチンコなんか見たかねーよ



You know how to bite a dick, Eugene.




お前はチンコの 噛み方を知ってる



Your glasses are fine, dick.




あなたの眼鏡、ディック罰金です。



Come on, man, put your dick away.




さあ、男、 離れてあなたのペニスを入れる。



You fucked up me driving a Lamborghini, you dick!




あなたは私 ランボルギーニを運転めちゃくちゃ、 あなたのディック



I only need one arm to punch you in the dick.




私は ディックであなたをパンチするために、1つの腕を必要としています。



Stroke your dick until you blow a big load for me JOI — BDSM Tube




ストローク ご ディック まで す ブロー a 大きな 負荷 のための 私 joi - bdsm チューブ



Has anyone poked Alma with his dick lately?




最近アルマにペニスを 押し当てた人いる?



She complains about Yusuke’s small dick and his poor skills in bed.




彼女はベッドの中で祐介の小さなディックと彼の貧弱なスキルについて不平を言います.



Relax girls, there’s enough dick here for everybody.




女の子をリラックス, 十分なペニスは皆のためにここにあります.



I got him in the dick.




私はディックで_彼を得た。



That you poked her with your dick.




あなたが彼女に ペニスを見せたって



I thought he was gonna eat my dick.




彼は私のペニスを食べると思った。



JENKO: Come on, man, put your dick away.




離れてあなたのクソ_ペニスを入れてください。



The dude is a beast, has a huge dick.




男は獣です, 巨大なペニスを持っています.



Morning, noon and night; every day she is busy doing chores and taking dick!




朝, 昼と夜; 彼女は忙しいです、毎日の家事をしてディックを取ります!


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Dick Stegewerns — Department of Culture Studies and Oriental Languages

  • Stegewerns, Dick
    (2017).

    An Analysis of the Genre of Melodrama in Japanese Cinema.

  • Stegewerns, Dick
    (2017).

    Naruse Mikio: Films of Strong Women and Everyday Misery.

  • Stegewerns, Dick
    (2017).

    Japanske Klassikere — Kaerlighedens Smerte — Film retrospective.

  • Stegewerns, Dick
    (2017).

    Mikio Naruse — Onbekende Meester van de Japanse Cinema — Film retrospective.

  • Stegewerns, Dick
    (2016).

    Pokemon Rules? — The Global Spread of Japanese Visual Popular Culture.

  • Stegewerns, Dick
    (2016).

    From the Chinese World Order to the Japanese Modern Mindset — Japanese Views of the Outside World from the Early Modern Period up until the Present day.

  • Stegewerns, Dick
    (2016).

    An Overview and Analysis of the Oeuvre of Film Director Naruse Mikio.

  • Stegewerns, Dick
    (2016).

    Mikio Naruse: Sterke Kvinner og hverdagsmisaere — Film retrospective.

  • Stegewerns, Dick
    (2016).

    The Cinematic Reconstruction of East Asia, 1945-1965: Depiction of the National Self and the Asian Other in Postwar Japanese War Films.

  • Stegewerns, Dick
    (2016).

    Kawase Naomi — Personal Images of Undocumented Japan.

  • Stegewerns, Dick
    (2016).

    Horie Kiichi – Economic Internationalist in Interwar Japan.

  • Stegewerns, Dick
    (2016).

    A review of Jung-Sun N. Han, An Imperial Path to Modernity – Yoshino Sakuzo and a New Liberal Order in Asia, 1907-1937.

    Journal of Japanese Studies.

    ISSN 0095-6848.
    41(1),
    p. 201–205.

  • Stegewerns, Dick
    (2016).

    Soshite senso ga tsuzuku — Eien no Zero nado saikin no senso eiga wo bunseki suru.

  • Stegewerns, Dick
    (2016).

    And the Battle Continues — Eternal Zero and other recent Japanese War Films.

  • Stegewerns, Dick
    (2016).

    Revisionism in Motion: Coping with the Japanese Red Army Past in Film, Documentary and Manga.

  • Stegewerns, Dick
    (2016).

    Deconstructing Kokushu — The Promotion of Sake as Japan’s National Alcohol Drink in Times of Crisis in the Sake Industry.

  • Stegewerns, Dick
    (2015).

    Eros Plus Massacre — Yoshida Kiju’s Masterpiece.

  • Stegewerns, Dick
    (2015).

    ATG — Reddende Engel van de Japanse Film in de Jaren 60 en 70.

  • Stegewerns, Dick
    (2015).

    De Shochiku Nouvelle Vague — Experiment binnen een Grote Studio.

  • Stegewerns, Dick
    (2015).

    Ozu Yasujiro — Japans Grootmeester met Universele Boodschap.

  • Stegewerns, Dick
    (2015).

    De Japanse Cinema in Oorlog en Bezetting.

  • Stegewerns, Dick
    (2015).

    Kiju Yoshida and ATG — The Reluctant Partner for DVD box Kiju Yoshida, Love + Anarchism, Arrow Academy.

  • Stegewerns, Dick
    (2015).

    The Unicity of Floating Weeds in Ozu Yasujiro’s Oeuvre.

  • Stegewerns, Dick
    (2015).

    Koreeda Hirokazu — Film and Manga in Our Little Sister.

  • Stegewerns, Dick
    (2015).

    Compassion in Ozu Yasujiro’s Late Spring.

  • Stegewerns, Dick
    (2015).

    Deconstructing Kokushu — Promoting Sake as Japan’s National Alcohol Drink in Times of Crisis in the Sake Industry.

  • Stegewerns, Dick
    (2015).

    A Postwar History of Sake — In Japan and Outside.

  • Stegewerns, Dick
    (2015).

    Continuity and Change in Japanese War Films.

  • Stegewerns, Dick
    (2015).

    Naruse Mikio and Tragic Love in Japanese Cinema.

  • Stegewerns, Dick
    (2015).

    Tragische Liefde in de Japanse Cinema film retrospective.

  • Stegewerns, Dick
    (2015).

    Naruse Mikio in Wartime and Occupation.

  • Stegewerns, Dick
    (2015).

    21st Century Japanese War Films — Continuity and change.

  • Stegewerns, Dick
    (2015).

    From Chushingura to Kamikaze — Bushido in Japanese Cinema.

  • Stegewerns, Dick
    (2015).

    Eternal Zero and the Genre of Kamikaze Films.

  • Stegewerns, Dick
    (2015).

    Asianism in Japan during the Interwar Period.

  • Stegewerns, Dick
    (2015).

    Establishing the Genre of the Revisionist War Film.

  • Stegewerns, Dick
    (2015).

    Tragic Love in Japanese Cinema — film retrospective.

  • Stegewerns, Dick
    (2015).

    Tragisk Kjaerlighet i Japansk Film.

  • Stegewerns, Dick
    (2015).

    An Analysis of Postwar Japanese Melodrama.

  • Stegewerns, Dick
    (2015).

    Shinsekai e no chosei — Senkanki Nihonchishikijin no taigai ninshiki.

  • Stegewerns, Dick
    (2014).

    Sengo no Nihon senso eiga — Haisen kara genzai ni itaru.

  • Stegewerns, Dick
    (2014).

    Close Distance — The Work of Kai Fusayoshi.

  • Stegewerns, Dick
    (2014).

    Mensen van Kyoto — Foto’s van Kai Fusayoshi photo exhibition.

  • Stegewerns, Dick
    (2014).

    Officers and Gentlemen, War Gods and War Criminals — Postwar Japanese War Films and Biography
    .

  • Stegewerns, Dick
    (2014).

    Adachi Masao and Revolutionary Documentary film retrospective.

  • Stegewerns, Dick
    (2014).

    The Politics and Style of Adachi Masao.

  • Stegewerns, Dick
    (2014).

    Contemporary Japanese Society from the Perspective of Japanese Popular Culture.

  • Stegewerns, Dick
    (2014).

    Wakamatsu Koji & Adachi Masao film retrospective.

  • Stegewerns, Dick
    (2014).

    An Analysis of Adachi Masao’s Work and Career.

  • Stegewerns, Dick
    (2014).

    Wakamatsu Koji & Adachi Masao — Revolution in Pink.

  • Stegewerns, Dick
    (2014).

    Sake Around the World … and Back — The Export of Japanese Sake and the Import of Western Authority.

  • Stegewerns, Dick
    (2014).

    The Three Waves (and Ways) of Sake Appreciation in the West.

  • Stegewerns, Dick
    (2014).

    Review of Daisuke Miyao, The Aesthetics of Shadow: Lighting and Japanese Cinema, Duke UP, 2013.

    Japan forum.

    ISSN 0955-5803.
    26(4),
    p. 557–560.

  • Stegewerns, Dick
    (2013).

    Patterns of Japanese War Memory as Depicted in Postwar Japanese War Films.

  • Stegewerns, Dick
    (2013).

    The Position of Okada Mariko in Japanese Cinema.

  • Stegewerns, Dick
    (2013).

    An Analysis of the Work and Career of Adachi Masao.

  • Stegewerns, Dick
    (2013).

    The Early Works of Yoshida Kiju.

  • Stegewerns, Dick
    (2013).

    The Cross-Influence of Sake Consumption in Japan and in the West.

  • Stegewerns, Dick
    (2013).

    Koji Wakamatsu & Adachi Masao film retrospective.

  • Stegewerns, Dick
    (2013).

    Koji Wakamatsu and Adachi Masao — Revolution in Pink.

  • Stegewerns, Dick
    (2013).

    Officers and Gentlemen – Japanese Postwar Films on Wartime Leaders.

  • Stegewerns, Dick
    (2013).

    Sacred Missions and Human Torpedoes – Japanese Submarine War Films.

  • Stegewerns, Dick
    (2013).

    Masahiro Kobayashi — film retrospective.

  • Stegewerns, Dick
    (2012).

    Art Theatre Guild of Japan film retrospective.

  • Stegewerns, Dick
    (2012).

    The Art Theatre Guild of Japan — Low-Budget Japanese Experimental Cinema of the 1960s and 1970s.

  • Stegewerns, Dick
    (2012).

    ATG — Low-Budget Experimental Japanese Cinema of the 1960s and 1970s.

  • Stegewerns, Dick
    (2012).

    Art Theatre Guild of Japan film retrospective.

  • Stegewerns, Dick
    (2012).

    The Art Theatre Guild of Japan — Saving Angel of the Japanese Film Industry during the Decades of Crisis.

  • Stegewerns, Dick
    (2012).

    Det Eksperimentelle Filmlaboratoriet — Filmer Fra Art Theatre Guild of Japan.

  • Stegewerns, Dick
    (2012).

    Reconsidering the Taishō period.

  • Stegewerns, Dick
    (2012).

    Patterns of Japanese War Memory as Depicted in Postwar Japanese War Films.

  • Stegewerns, Dick
    (2012).

    Teaching ‘the War’ through Japanese Popular Culture.

  • Stegewerns, Dick
    (2012).

    From Political Instrument to Medium of Exoticism: The Reception of Japanese Film in the Netherlands.

  • Stegewerns, Dick
    (2012).

    Continuities in Japanese Views of a Unique Role on the World Stage in between East and West.

  • Stegewerns, Dick
    (2012).

    A Comparative Analysis of Postwar Japanese and American War Films.

  • Stegewerns, Dick
    (2012).

    Negotiating the Second World War in Present-Day Japanese Society.

  • Stegewerns, Dick
    (2012).

    Pan-Asianism: A Documentary History, Volume 1 (1850-1920) and Volume 2 (1920-Present).

    Monumenta Nipponica.

    ISSN 0027-0741.
    67(2),
    p. 343–348.

  • Stegewerns, Dick
    (2011).

    Ozawa Ichiro and Japan’s Political ‘Revolution’.

    The Netherlands-Japan Review.

    2(4).

  • Stegewerns, Dick
    (2011).

    Japanese Society and Politics after the Great Tohoku Eartquake — Heroes and Villains, Victims and Leaders.

    The Netherlands-Japan Review.

    2(2).

  • Stegewerns, Dick
    (2011).

    Recente Ontwikkelingen op Japan’s Noordelijke Territoria.

    The Netherlands-Japan Review.

    2(1).

  • Stegewerns, Dick
    (2011).

    The Legacy of the Sun — The battle for the Collective War Memory in Postwar and Contemporary Japanese War Films.

  • Stegewerns, Dick
    (2011).

    Yoshino Sakuzo — Dealing with Disaster and Democracy in Interwar Japan.

  • Stegewerns, Dick
    (2011).

    Japan Undefeated — The Post-Occupation Body of Revisionist War Films by Shin-Toho.

  • Stegewerns, Dick
    (2011).

    From Taisho Democracy to TV Democracy — A Comparative Analysis of Prewar, Postwar and Contemporary Japanese Democracy.

  • Stegewerns, Dick
    (2011).

    The Shochiku Nouvelle Vague — An Analysis of the Roots of Japanese New Wave Cinema.

  • Stegewerns, Dick
    (2011).

    Yoshida Kiju and ATG — The Reluctant Partner.

  • Stegewerns, Dick
    (2010).

    An Analysis of the Film Oeuvre of Yoshida Kiju.

  • Stegewerns, Dick
    (2010).

    Retrospective of Japanese Avant-Garde Filmmaker Yoshida Kiju.

  • Stegewerns, Dick
    (2010).

    Retrospective of Japanese Avant-Garde Filmmaker Yoshida Kiju.

  • Stegewerns, Dick
    (2010).

    Retrospective of Japanese Avant-Garde Filmmaker Yoshida Kiju.

  • Stegewerns, Dick
    (2010).

    Curator of retrospective on Japanese Avant-Garde Filmmaker Yoshida Kiju.

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