ATI All-In-Wonder 2006 AGP Edition Drivers & Specs 2023
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Learn more about ATI All-In-Wonder 2006 AGP Edition:
- Specifications
- Drivers
- Benchmark & Performance
- Gaming
Specifications
- Generation
- All-In-Wonder
- GPU model
- RV350
- Interface
- AGP 8x
- GPU clock
- 324 MHz
- Memory size
- 256 MB
- DirectX
- 9.0 (9_0)
- Release date
- Apr 29th, 2005
Graphics Processor
- GPU model
- RV350
- GPU variant
- RV351 LE
- Architecture
- Rage 8
- Foundry
- TSMC
- Manufacturing process
- 130 nm
- Number of transistors
- 60 million
- Die size
- 76 mm²
Graphics Card
- Release date
- Apr 29th, 2005
- Generation
- All-In-Wonder
- Production
- End-of-life
- Launch price
- 199 USD
- Interface
- AGP 8x
- Reviews
- 14 in our database
Clocks
- GPU clock
- 324 MHz
- Memory clock
- 196 MHz 392 Mbps effective
Memory Configuration
- Memory size
- 256 MB
- Memory type
- DDR
- Memory bus width
- 128 bit
- Bandwidth
- 6.
272 GB/s
Render Configuration
- Pixel shaders
- 4
- Vertex shaders
- 2
- TMUs
- 4
- ROPs
- 4
Performance
- Pixel rate
- 1.296 GPixel/s
- Vertex rate
- 162.0 MVertices/s
- Texture rate
- 1.296 GTexel/s
Dimensions & Outputs
- Slot width
- Single-slot
- Suggested PSU
- 200 W
- Outputs
- 1x VGA1x S-Video
- Power connectors
- None
- Board number
- A225
API Support & Features
- DirectX
- 9.0 (9_0)
- OpenGL
- 2.0
- Pixel shader
- 2.0
- Vertex shader
- 2.0
Drivers
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Benchmark & Performance
PassMark
1 4 39158
Performance Comparing to Similar Graphics Cards
-
ATI All-In-Wonder 2006 AGP Edition
4
Gaming
To see if ATI All-In-Wonder 2006 AGP Edition is good for gaming, we checked what popular, new, and upcoming PC games will run on it:
ATI All-In-Wonder 2006 Edition AGP vs ATI All-In-Wonder X800 VE
Comparative analysis of ATI All-In-Wonder 2006 Edition AGP and ATI All-In-Wonder X800 VE videocards for all known characteristics in the following categories: Essentials, Technical info, Video outputs and ports, Compatibility, dimensions and requirements, API support, Memory.
ATI All-In-Wonder 2006 Edition AGP
Buy on Amazon
vs
ATI All-In-Wonder X800 VE
Buy on Amazon
Differences
Reasons to consider the ATI All-In-Wonder X800 VE
- Around 31% higher core clock speed: 425 MHz vs 324 MHz
- 2.
6x more texture fill rate: 3.4 GTexel / s vs 1.296 GTexel / s - 2x more memory clock speed: 800 MHz vs 392 MHz
| Core clock speed | 425 MHz vs 324 MHz |
| Texture fill rate | 3.4 GTexel / s vs 1.296 GTexel / s |
| Memory clock speed | 800 MHz vs 392 MHz |
Compare specifications (specs)
| ATI All-In-Wonder 2006 Edition AGP | ATI All-In-Wonder X800 VE | |
|---|---|---|
| Architecture | Rage 8 | R400 |
| Code name | RV350 | R420 |
| Launch date | 29 April 2005 | 27 April 2005 |
| Launch price (MSRP) | $199 | |
| Place in performance rating | not rated | not rated |
| Type | Desktop | Desktop |
| Core clock speed | 324 MHz | 425 MHz |
| Manufacturing process technology | 130 nm | 130 nm |
| Texture fill rate | 1. 296 GTexel / s |
3.4 GTexel / s |
| Transistor count | 76 million | 160 million |
| Display Connectors | 1x VGA, 1x S-Video | 1x DVI |
| Interface | AGP 8x | AGP 8x |
| Supplementary power connectors | None | None |
| DirectX | 9.0 | 9.0b |
| OpenGL | 2.0 | 2.0 |
| Maximum RAM amount | 256 MB | 256 MB |
| Memory bandwidth | 6. 27 GB / s |
12.8 GB / s |
| Memory bus width | 128 Bit | 128 Bit |
| Memory clock speed | 392 MHz | 800 MHz |
| Memory type | DDR | GDDR3 |
Navigation
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Compare ATI All-In-Wonder 2006 Edition AGP with others
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All-In-Wonder 2006 Edition AGP
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All-In-Wonder 2006 Edition AGP
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All-In-Wonder 2006 Edition AGP
vs
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All-In-Wonder X800 VE
The sooner the truth reaches us, the better
https://inosmi.
ru/20110114/165643581.html
The sooner the truth reaches us, the better
The sooner the truth reaches us, the better
Than the sooner the truth reaches us, the better.
The Polish Sejm has become a commission of those who know airfields, airplanes and air traffic better than the streets of Warsaw. Report? Unprofessional. Russians?… | 01/14/2011, InoSMI
2011-01-14T14:00
2011-01-14T14:00
2022-01-28T11:32
/html/head/meta[@name=’og:title’]/@content
/html/head/meta[@name =’og:description’]/@content
https://cdnn1.inosmi.ru/images/sharing/article/165643581.jpg?1592362661643358727
InoSMI
64 49652 +7 01
FSUE MIA Rossiya Segodnya
2011
InoSMI
+7 495 645 66 01
FSUE MIA Rossiya Segodnya 9news RU
+7 495 645 66 01
FSUE MIA “Russia Today”
Inosmi
+7 495 66 01
Federal State Unitary Enterprise “Russia Today”
Info@Info@Info@ inosmi.
ru
+7 495 645 66 01
FSUE MIA Rossiya Segodnya
poland, world, archive 2015, politics, russia, catastrophe near smolensk , planes and air traffic is better than the streets of Warsaw. Report? Unprofessional. Russians? They build intrigues. Polish pilots? Innocent. General in the cockpit? Fine. Unsettled crew? Nonsense. It is easy to refute even the most logical conclusions when they come from the lips of Russians. nine0003
Kamil Durczok
The MAK report is not a complete document: like any other, it only shows part of the truth. But this does not mean that what is written in it is a lie. And although in order to withstand the impassive tone of Tatyana Anodina, who accuses Polish pilots of flying to death, one must have mental fortitude, this does not mean that the head of the IAC is wrong. She’s right. And the sooner we get it, the better. Because that will make it easier to start fighting for what is missing from this report. And this fight will require strength.
nine0003
The Russians showed point by point what mistakes, confusion, bravado and madness took place aboard the Tupolev. A crazy, deadly chain of events killed a hundred people in the Smolensk forest. The Russians showed what contributed to the fact that no one on earth was able to stop this madness. They did not show the extremely important role of people who, not being under the pressure of a hundred-meter abyss opening up below them, were supposed to bring Polish pilots flying to certain death out of hypnosis. We know nothing about emotions, about the words and orders that sounded in the control tower in Smolensk. We do not know what and whose pressure the dispatchers were subjected to. We don’t even know if they were healthy, sober, and fully conscious. We practically heard nothing from the Russians on this subject. But at a height of one hundred meters, the Polish pilot had to pull the helm, and not a single record from the Russian tower will change this. nine0003
I feel neither bitter nor sad satisfaction that the words of my comment from a week ago have been fulfilled word for word.
When I wrote about 300,000 aviation experts, I did not think that all of them would rush into the attack a week later. The Sejm has become a huge committee, full of those who know airfields, airplanes and air traffic better than the streets of Warsaw. Report? Unprofessional. Russians? They build intrigues. Polish pilots? Innocent. General in the cockpit? Fine. Unsettled crew? Nonsense. It is easy to refute even the most logical conclusions when they come from the lips of Russians. It is even easier when the same Russians try to hide the guilt of their own air traffic controllers. Only the bitter truth stemming from what we have heard and what we will soon hear in an even sharper form from Warsaw should be the beginning of an earthquake here in our country. nine0003
The disorder and lack of procedures on the flights of the most important persons of the state are striking. The 36th Special Flight Regiment should be renamed into a regiment with limited capabilities, and immediately later disbanded.
Bogdan Klich, Minister of Defense and formal Commander-in-Chief of the Polish Air Force, and this regiment in particular, did not manage what was happening in our aviation. Everything points to the fact that the April flight of the prime minister was held in violation of the rules. Even if conclusions were drawn after the Casa plane crash, they had no practical consequences. What other reason was needed for the resignation of the Minister of Defense? nine0003
Increasing from year to year negligence got away with it, because for years everything somehow worked out. Until one time it didn’t work. The Russians showed it, the Poles will show it. Yesterday, one pilot wrote bitterly: «Indeed, the hardest thing to believe is that the army has been preparing an assassination attempt on its own aircraft for 20 years.»
Fact or fiction: what was the drama «Miracle» with Florence Pugh
On November 16, the drama Miracle starring Florence Pugh was released on Netflix.
The film was directed by Oscar-winning director Sebastian Lelio. Film critic of Gazeta.Ru Elena Zarkhina understands the new adaptation of the writer Emma Donoghue, who loves to work in the field of mystical realism: her plots are taken straight from real life, but the ratio of fictional and real is always confused.
nine0003
1862 outside. Nurse Lib Wright (as always magical Florence Pugh) comes to an Irish village to see with her own eyes a real miracle — 11-year-old girl Anna has not eaten for 4 months, which does not prevent her from continuing to live and be healthy. While the locals, including the girl’s family, see a trace of a divine gift in the current situation, the sensible Lieb suspects something is wrong.
And while the metropolitan nurse is looking at Anna, she is looking at her in response. The distance between the two heroines is gradually shrinking, and it is already difficult to see where the drama of one girl ends and the grief of another begins. nine0003
Revolving around a gastronomic theme, «Miracle» is a difficult dish with a complex author’s serving.
The plot, which began as a semi-mystical detective story, turns into a burning human drama in the middle of the road.
The complexity of Lelio’s film construction becomes clear from the first minutes: the film begins not even with the breaking of the fourth wall, but with the erasure of all boundaries of artistic integrity — from a pavilion filled with scenery. The director instantly makes it clear that the world of this film is rather arbitrary, the sense of reality is relative, and whether to believe in the story told or not is a personal matter for each viewer. nine0003
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Scenes of Married Life, with Jessica Chastain and Oscar Isaac, did a similar cinematic stunt last year. There, at the beginning of each episode, the characters literally put on makeup and repeated the text of their characters. A little earlier, Joe Wright resorted to similar tricks in his Anna Karenina, the scale of which he tried to fit into a two-hour film turned into a real human theater: the scenery changed behind the characters, the seasons were emphasized by deliberately artificial props, and only the feelings of the actors in the frame were real and alive.
nine0003
But Lelio refuses to continue the performance and rather quickly transforms the exposition of the modern pavilion into a historical (and ascetic) retro-drama interior.
Lib performed by Florence Pugh — a vessel broken into dozens of fragments. Once upon a time life-giving force splashed in it, but now it is empty. Once she had a husband (for a whole year) and a small child (three weeks and two days), and then everything broke down and died. Unable to cope with personal grief, the heroine went to darn the wounded bodies of soldiers in the war. The close witness of death both traumatized and sobered her — the value of human life became more tangible, but faith in a miracle remained somewhere beyond the frontiers. nine0003
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Meeting with Anna, a meek girl, in whom those around her, because of her ability to not eat, considered a sign from above for months, becomes a new challenge for Lib. It seems that everyone around has lost their common sense — even the local doctor believed in the chosenness of the child.
Lieb, with the help of journalist Willem (Tom Burke from Strike), is trying to open everyone’s eyes — Anna is somehow cheating, and the so-called «miracle» has a rational explanation. But the procedure of exposure is delayed: the gradual presence next to the girl does not bring any significant answers, and Lieb guesses that he and Anna communicate in different languages - a dry scientific text will never meet understanding in prayer, and vice versa. nine0003
Abandoning the overseer’s tactics, Lieb picks up the key to understanding Anna’s «uniqueness» and reveals her main secret. But this does not bring the expected relief — it turns out that Anya’s escape from reality is not accidental, and the religious doctrine is more attractive than a medical diagnosis, because there is no earthly evil in the space of faith.
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Chilean Sebastian Lelio loves upside-down stories. His «Defiance» was about forbidden love in an Orthodox Jewish community, and «Fantastic Woman» was about a trans person who has lost a loved one and is forced to defend her own identity against the whole world, embittered and harsh.