X fi fatality review: Creative Sound Blaster X-Fi Titanium Fatal1ty Pro

Creative Sound Blaster X-Fi Titanium Fatal1ty Pro

Creative has been a leader in the PC audio market for as long as I can remember. In fact, the first Sound Blaster card hit the market almost 20 years ago, which can be considered an eternity in «computer years».

During this time, Creative has launched about a dozen major soundcards, with their latest outgoing product being the Sound Blaster X-Fi series, which replaced the popular Audigy line a few years ago.

The X-Fi Titanium Fatal1ty Pro that we are testing today is Creative’s latest offering in the series, making use of a slightly modified chip called EMU20K2 that adds native PCI Express support among a number of improvements and fixes over the previous generation of cards.

Aimed at audio enthusiasts and especially gamers, Creative offers two versions of the X-Fi Titanium Fatal1ty Pro. The one we are testing that could be considered the lite version of the package that includes mainly the soundcard, while a more expensive version adds a 5 ¼» I/O drive similar to the ones Creative has offered in the past. Other than the added module, a remote control, and the extra $50, the two products are identical.

Out of the Box

Opening the box doesn’t reveal a whole lot. The bundle of this $130 soundcard is scarce and consists of just a quick start guide, the drivers disc, and the card itself.

As mentioned above, one of the first things you will notice about the X-Fi Titanium Fatal1ty is that it uses a PCI Express x1 interface. If you don’t have a x1 slot on your motherboard or don’t have access to one (due to an oversized video card cooler, for example) you can always install the card in a larger slot, be it x8 or x16.

Besides the PCI Express interface, the card is very unique looking because of the cover that goes over the entire card. Upon first glance, this looks like a large heatsink covering all components, but in reality Creative added the cover for the visual effect that it creates and as a foundation to add the Fatal1ty and X-Fi logos, the latter of which lights up with a white LED when the computer is running. The cover is also used as a shield to protect the delicate capacitors that litter the card’s surface.

On the back of the card we have the standard array of audio connections, including the line-in jack and four speaker-out jacks compatible with 2.1, 5.1 and 7.1 speaker systems. Also present are optical in/optical out connections that can be used for things such as gaming consoles and AV receivers, respectively.

Hardware installation went without issues as expected. I chose to install the X-Fi Titanium in a PCI Express x1 slot as I had one readily available. Software installation, on the other hand, was a bit more involved. Be prepared for this process to take a long time and require a few restarts. Also worth nothing, I experienced a blue screen of death (a.k.a. BSOD) during my initial install and had to start all over again.

This only happened once, after which I was able to successfully install the card’s drivers and software. At this point it was made obvious to us that Creative has not made striding efforts to improve a nagging software installation that dates back to the days of the SB Live.

Creative includes an impressive software bundle with the X-Fi Titanium composed of lots of in-house utilities plus PowerDVD. For brevity, I will briefly cover the more relevant software and point out key features along the way in the next page.

Creative X-Fi Fatal1ty FPS | bit-tech.net

Creative Labs is a name that is surely synonymous with PC sound. In recent years, the ‘Sound Blaster’ range of cards has become the de facto standard for add-in boards enabling high quality sound and entertainment on the PC. Creative have expanded their range of products, producing USB and PCMCIA sound devices for laptops, as well as a range of speakers.

The last major product Creative made in the add-in board space was the Audigy. This has been revised, two times since, but never revamped. This year has seen Creative go back to its roots and come up with an entirely new sound board, the X-Fi.

But, they’ve done it just as the general trend in the industry seems to be to integrate sound onto the motherboard. Intel are pushing the Azalia audio specification as the standard for audio in PC systems. Today, is there really any need for a discrete sound board? And what benefits, if any, can such a card offer? That’s what we’re here to find out today, as we put the X-Fi under the scope.

A Brief History

Creative started out with the Creative Music System, in 1987, which provided 12 voices of pretty basic sound by today’s standards. This was re-marketed as the Game Blaster in 1988, and consequently went on to sell a load through a tie-in with Radio Shack. The Sound Blaster name first appeared in 1989 — the card had the same basic features as the Game Blaster, but with FM synthesis and full Adlib support. It was 8-bit and only mono, but a year later saw the stereo Sound Blaster Pro, which proved popular with system builders. 1992’s 16-bit Sound Blaster 16 became the de facto standard for in-game sound — if you weren’t Sound Blaster-compatible, you were nowhere.

While better than the beep-beep of the PC speaker, FM synthesis was pretty rubbish, and the Gravis Ultrasound was grabbing market share amongst enthusiasts, high-end audiophiles and the hardcore Demo scene, all attracted by it’s configurable on-board memory and sexy wavetable MIDI. Sadly, it ultimately failed because of hit & miss developer and limited Sound Blaster legacy support, though the 4-speaker support in the original DOOM was a highlight.

Creative hit back in 1994, launching the first piece of really desirable Sound Blaster hardware: the AWE 32. Legacy support was retained with an on-board FM chip, but wavetable synthesis was the key feature, and supported up to 28MB of RAM through the clever addition of standard 30-pin SIMM slots; the Ultrasound was limited to 512KB.

1998 saw the introduction of the Soundblaster Live! This was amongst the first cards to have support for 5.1 Dolby Digital surround sound, and its release co-incided with the explosion of DVDs and DVD-watching on the PC. It also added the first 5.25″ breakout box, which was incredibly popular with case modders.

Finally, the Audigy line first appeared in 2001, with even greater fidelity than the Live! The Audigy was the first mainstream board to support optical out via the S/PDIF interface, and also added FireWire support to the card, which many used to hook their PCs up to a niche, geeky device known as the iPod. The Audigy 2 (with variants) and the Audigy 4 went on to offer better specifications over the original, with improved signal-to-noise ratio, DSP processing and the like.

The X-Fi

And so we arrive at today, with Creative’s all-new architecture — the X-Fi. The X-Fi comes in a number of versions, including the ‘Extreme Music’, ‘Fatal1ty FPS’, ‘Elite Pro’ and ‘Platinum’. The version we have on test here is of most interest to the hardcore gaming clientele like you and I, the Sound Blaster X-Fi Fatal1ty FPS. What does it offer?

3 Mode Operation: The X-Fi has three usage modes, Gaming, Entertainment and Music Creation. You can switch between these modes in software. Each mode opens up different control panel options, and different tweaks and settings suitable for whatever it is you want to do.

Tuned for gaming: A ring-style architecture, similar to the memory controller design we’ve seen on the X1800 series of ATI cards, allows for low-latency processing of sound. Any feature of the X-Fi can grab data off the ring architecture and place it back on, with next to no latency.

X-RAM: Audio data obviously consumes system memory, and throwing it back and forth across the PCI bus can be slow. Because only so much system RAM can be used for audio, there is a limit to the number of streams of audio that can be processed simultaneously. X-Fi alleviates these bottlenecks by bringing back on-board RAM. The Fatal1ty version of the card has 64MB on-board. This can be used by the developer to process audio data on the card, without having to go to CPU or main memory. It also allows for more simultaneous streams of audio to be processed and played concurrently. The net result should be more FPS and better quality audio. Games have to be written to support it, but many games coming up will be — currently, both Battlefield 2 and F.E.A.R. are accelerated.

EAX Advanced HD 5.0: The latest version of Creative’s sound effects system includes support for MacroFX (heyhey!) which simulate things passing incredibly close to you, as well as other features like environmental occlusion environmental voice processing.

Better quality standard audio: By doing clever things with sample rate conversion, the X-Fi gives better quality to your standard PC audio and music, too. The Crystalizer feature aims to put lost quality back into MP3s.

More output options: There’s full 7.1, 5.1, THX support et al. However, perhaps the best new feature is CMSS-3D Headphone. This simulates 5.1 surround sound using just a pair of headphones, and the Creative implementation is surprisingly effective.

There’s more detail about all these features over at the X-Fi homepage.

Specification

Those features in full:

Main Hardware Features:

  • 109dB SNR DAC Quality on all channels
  • 64MB X-RAM (Xtreme Fidelity RAM)
  • THX Certified Quality
  • Extended I/O via Internal Drive-Bay Module
  • IR Remote

Card Connectivity

  • FlexiJack (Performing a 3-in-1 function, Digital In / Line In / Microphone) via 3.5mm mini-jack
  • Line level out (Front / Rear / Center / Subwoofer) via 3 X 3.5mm mini jacks
  • AUX_IN line-level analog input via 4-pin Molex connector
  • 26 pin AD_Link connector for linking to the X-Fi I/O Console (upgrade option)

I/O Drive Connectivity

  • 2 x RCA jacks for coaxial SPDIF input and output
  • 2 X RCA jacks for Auxiliary input
  • 2 X optical connectors for optical SPDIF input and output
  • 2 X mini MIDI female connectors for MIDI input and output
  • Headphone output via 6. 35 mm (1/4-inch) stereo jack
  • Headphone volume control knob
  • Shared line-level analog Line/Microphone input via 6.35 mm (1/4-inch) stereo jack

1 — Introduction2 — The X-Fi card3 — Gaming mode4 — Music and Cinema modes5 — The Cool Features6 — Measurements7 — Real-world testing8 — Conclusions

Creative X-Fi Titanium Fatal1ty Professional specifications, video review, reviews

General characteristics
*

. 19000 9000

9000

Type Internal
Connection type PCI-E
The ability to withdraw multichannel sound is
Sound scheme
Phantom power NO
External synchronization NO
Remote control NO
The need for additional power No 9000

Sound characteristics
*

DAC 24bit
ADC 24bit

Maximum frequency
*

DAC (stereo) 192 kHz
ADC 96 kHz

Standards support
*

version EAX 5
ASIO 2. 0
Openal is

Connection
*

AES/EBU No
ADAT No 9Inputs
*

9000 1 9000 1 9000 1 9000 1

Digital coaxial entrance S/PDIF NO
Microphone inputs 1
Channel 2
The number of input connectors JACK 3.5 mm
S/PDIF digital optical input Yes
Instrument input (Hi-Z) No
2 Outputs

1
*

9000 4

9000 8

9,000

Number of analog connectors
HDMI NO
Number of analogue channels
Detachment for connecting to the front panel PC Yes
Digital Optical S/PDIF Yes
Digital Coaxial S/PDIF No
  • * Check with the seller for exact specifications.

    ᐅ Creative X-Fi Fatal1ty reviews — 7 honest customer reviews of Creative X-Fi Fatal1ty

    sound card

    Advantages

    Disadvantages

    Comment

    Estimated

    I accept the terms
    providing data.

    • internal sound card with extension unit
    • PCI 2. 2 interface
    • analog audio outputs: 4
    • sound effects (EAX v. 5)
    • ASIO v. 2.0
    • DAC 24 bit / 192 kHz

    Creative X-Fi Fatal1ty average rating — 3.86
    A total of 7 reviews are known about Creative X-Fi Fatal1ty

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    Reviews about Creative X-Fi Fatal1ty

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    Guest, 20. 10.2018

    Advantages:
    — Took for 1500r
    — The sound became cleaner (no extraneous noise) and more detailed (began to notice new details in the tracks that I listened to earlier) of the built-in sound of asus p8z77v-lx (not top-end built-in sound)
    — The logo on the side ala asus rog is lit 30% of the stock

    Disadvantages:
    Hard tin with installation:

    — Downloaded the driver = you have no devices (AMD video card)
    — Downloaded the program to update the drivers = installed the driver, does not work, the setup program does not open says no card
    — Changed the PCI connector
    — The card appeared in the manager with a yellow icon = removed the driver
    — Manually installed the driver = now I saw the card, everything worked
    — Restarted the computer, overclocked the memory and processor

    The PCI connector sucks full — no latch, the card is sized with vidyuhu, I use it for the first time, there are adapters for pci-e x1 and vice versa.

    — High consumption, now the mother does not start immediately (perhaps due to pci bus initialization +3 seconds)
    — Vcore of the processor has risen from 1.39up to 1.408 — either the power circuits can’t cope, or the GVM700 unit is at the limit — if you have 350w hit 500 or 500w + overclocking and you hit 700w, but for good 900, since I have a slightly overclocked r7 370, 2500k 4.7, 4×4 2280 and ssd (550W). In short, the size and power requirements are similar to those of a vidyuhi + 100w, I’m afraid to connect the panel. The benchmark result steadily fell by 1%, I liked the bp so much.

    Comment:
    I understand that this is 2010 and I was probably wrong with the drivers, but damn it stuck and there is no sound in wine 7 — in general.

    Super crazy headphones for 300 rubles started playing in a completely new way, bass appeared!!! + connectors were added that I needed midi and a microphone

    I have experience with hi-fi, in my opinion it is 60-70%, from the top of the top — it can be better, but on super duper equipment for 30-50k

    At one time it cost 10-15k and so it works out its 20k, of the new ones there, only digital sound processing is better, but this is necessary in games and you will have to pay 20k — therefore these are the most successfully spent 1500 rubles this year.

    The panel is powered from the old connector for power to sata, there are adapters, it works without a panel.

    In general, there is no point in saving if you listen to music for more than 2 hours a day — overpaying for 5-channel sound in the mother is stupid — I’m sure there won’t be hundreds of conders like here (I’m surprised that not one was swollen) the sound will not be better there is experience.

    I’m saving up for hd650

    4 — for hemorrhoids with all this to buy, drivers, pci, PSU (whether they say they will stick it in and go) — it costs money, the sound does not irritate.

    Now the music, written in a blatantly written way, cuts the ears like on hi-fi.

    It burned down after a day of work in the test bench — the computer was on the table — it was warped in the connector from the impact on the table and the computer hung — now when it is in the connector, Windows does not boot — PCI connector is shit — with vidyuha this was not the case with pci x1 either.

    Revived the card — BE CAREFUL WITH PCI! it is not fixed, any vibration is fatal, namely the vibration in millimeters.

    Shneider Roman, 06/18/2014

    Advantages:
    Front panel 5.25. A bunch of connectors, a remote control (I hardly use it), the sound quality is very decent. BY.

    Disadvantages:
    High cost (maybe justified), ATA connector. There were rarely bugs — firewood flew off (it was solved without problems by reinstalling), in some games (NFS) quiet clicks appeared.

    Comment:
    Everything that the comrade listed in the shortcomings — The user hid his data, they are not related to my sound sample. Firewood rises without problems, both old and new. Video with embedded sound — both sounds can be used. when connected to an amp through the receiver and then output to 5 + 1, the sound turns out to be quite decent. When connected via optics, the sound, in my opinion, is even better (a little flat, but cleaner, this drawback can be easily eliminated by the settings of the amp, card software, program or all together, as in my version). The ATA cable splits and rounds easily.

    drr Dr, 10/13/2010

    Advantages:
    all game effects

    Disadvantages:
    absolutely inedible sound, it is impossible to listen to music, in comparison with the built-in on the mat. the board has a higher signal-to-noise ratio, while highs are pulled up, mids (voices) are barely audible, lows are not weakly raised = nothing to do with a flat frequency response

    Comment:
    now I will shy away from creativity like fire;
    we need to get rid of this horror as soon as possible, take Asus, ESI or an external DAC…;
    what is the achievement of creatives besides the beautiful name x-fi and crooked software for it? for reference: creative drivers conflict with video drivers from ATI

    Ushkanov Oleg, 09/15/2010

    Advantages:
    A lot of inputs on the front panel, great sound after recording, You can record sound from a computer online (although there are free programs for Windows). Convenient to use. You can’t tell until you feel it. Lots of wires included.

    Disadvantages:
    difficult to answer.

    Comment:
    For home use.. more than reasonable.
    I have been plowing since the summer of 2007. I don’t even want to think about anything else. I put +++++

    Guest, 06/10/2010

    Advantages:
    Very high quality sound. I liked Crystalizer a lot.

    Drawbacks:
    Buyer! Think a hundred times before you buy a creative soundtrack. You may be among the lucky ones who have everything working right away and who write good words about them, or you may not get into it.
    Then all the «cute» fun I’ve been through is waiting for you.
    Firstly, because of conflicts in IRQ, these sounds can be stupidly not detected in the system. And no drivers will save you, only 3-4 days of thoughtful smoking of manuls, digging into the BIOS and a hundred times peretykany may accidentally help, or may not help.
    Secondly, if you have a viduha with built-in sound (that is, it has an HDMI output), then you can safely count on hemorrhoids.
    Thirdly, if you connect it to the receiver through optics and hope to hear the «sound around» — you will be in for a severe disappointment, because to get it you need to do SUCH dances with a tambourine that you never had in your life.

    Comment:
    It’s amazing to get such money for THAT much money.

    Cherkashin Alexey, 14.08.2009

    Pros:
    Clear good sound! I did not see any glitches with firewood!

    Disadvantages:
    The loop from the outer socket is annoying when everything is nicely packed in the case! but for the sake of sound endure! a bit out of body color but that’s just in my case!

    Comment:
    Previously it had gigaworks750 creatives now solo7 from microlab! great sound!

    Filimontsev Alexey, 06/28/2009

    Advantages:
    1) Very clear and good sound
    2) Low latency when working with ASIO
    3) A variety of connectors for connecting equipment
    4) The ability to connect an electric guitar directly
    5) Timely software update
    front panel

    Disadvantages:
    1) Using a flat cable from ATA hard drives to connect the remote panel to the sound card
    2) Lack of shielding of the sound card
    3) It is not possible to bind the control panel buttons for third-party programs

    Comment:
    The sound card is very good, equipment is excellent. Suitable for a gamer, and for a music lover, and for a musician.
    To Dronezz18 The frequency response depends largely on the speakers and the directness of the hands when working with the equalizer, because if initially your equalizer is set perfectly evenly, then what can I say, there will be no sound.
    As for noise, for their absence, the socket for connecting the computer must be grounded, otherwise noise cannot be avoided on any audio equipment.

    General data

    Type
    internal with add. block
    Connection type
    PCI 2.2
    Multi-channel audio output capability
    is

    Audio

    DAC/ADC bits
    24 bit / 24 bit
    Maximum DAC frequency (stereo)
    192 kHz
    Maximum DAC frequency (multichannel)
    96 kHz
    Maximum ADC frequency
    96 kHz
    S/N Ratio DAC
    109 dB
    THD DAC
    0.

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